Hi Bob

Thanks for that important bit.

I synchronously found this site below which expounds on discussion yesterday of the proper trinity -- the father, the son, and the holy mother as embodied at Chartres. The two Marys, mother and lover, need to be incorporated in the liturgy and into the planet consciousness in order to free the imprisoned energy of the "Mater Dolorosa," depicted as the mourning Mary cradling her dying son,i.e, the sad earth mother herself grieving her dying child, the earth.

Christianity equates the feminine principle with evil through Eve's sins. The Feminine Principle is dark, but not evil. The womb is dark, the fertile loam is black and creant. Primordial Black Madonnas as dark, wooden statues have always been venerated all over France and morphed into Mary in the most recent Christian dispensation. The discussion below expands on this idea.

This is a subtle energy, a control energy, as a "4th derivative of position," chi, prana, that must and actually can be incorporated into consciousness in order to raise our planetary/cosmic/spiritual awareness.

http://www.craftsinindia.com/products/goddess_durga_statue.html

http://www.christosophia.org/modules.php?name=News&file=article&sid=10

"The search for Christ as the Green Man also reveals the presence of the Divine Feminine which is necessary to his archetype. Whereas the pagan religions of the vegetation gods honored the Goddess as the matrix of life, Christianity suppressed the role of the Divine Feminine in its image of deity. This is a basic cause of the negative attitudes toward nature which are often found in Christianity, for “Mother Nature” is the realm of the feminine. The archetypal Great Goddess has become fragmented and devalued in Christianity, but her outline is still there. The Virgin Mary, mother of Christ, can be seen as a representation of the ancient Mother Goddess who mourns her sacrificed son. As the "Mater Dolorosa," the grieving mother, Mary follows the archetypal pattern of goddesses such as Inanna, Ishtar, Isis, and Kybele in weeping for her crucified son. During the Middle Ages this representation of the Virgin Mary became especially popular, and many representations of the "Pietà," the Virgin Mary mourning the body of her dead son, appeared in art and sculpture."

and

"This symbolic interpretation of Christ as a representation of the archetypal Green Man has great value for an emerging Christian mythos which is consistent with the ecological challenge of our time. For Christ as Green Man is an embodiment of the creative energy of the life force which causes trees to leaf, flowers to blossom, and plants to bear fruit. Christ as Green Man is the fertile, fructifying power of the Divine which is present within all of nature. He is the essence of life and growth which has always been associated with Mother Nature. Thus the revelation of the Green Man aspect of Christ brings the corollary recognition of the Divine Feminine within Christian tradition. The integration of the archetypal polarities of Goddess and Green Man is beautifully expressed in the eighteenth century New England song entitled Jesus Christ the Apple Tree:

The tree of life my soul hath seen,
Laden with fruit, and always green:
The trees of nature fruitless be
Compared with Christ the apple tree.11

In this simple yet profound verse, Christ as the evergreen 'tree of life' can be clearly seen as the archetypal Green Man. But here the tree of life is 'the apple tree,' a tree which has ancient associations with the Goddess. This lovely image unites the Goddess and Christ as the Green Man.

This mythological interpretation overcomes the dualities of spirit and nature, transcendent and immanent, and masculine and feminine which have so often plagued Christianity. Christ as the archetypal Green Man provides the basis for the celebration of the sacred within the natural world. This recognition of the immanence of the Divine brings the necessary complement to the transcendent God which is required for an ecological spirituality grounded in Christian tradition."


This is the true secret of the Grail and the New Jeruaslem that the Templars encoded into Chartres. Please see the actual energy map of sacred France that the Templars were and still are tapping into as outlined here:
http://tech.groups.yahoo.com/group/theoretical_physics/message/2991

France IS sacred ground.

As I said, the Templars managed to hold open a crack in the wall between worlds by flowing earth's chthonic energy into the resonances of their singing stones -- allowing a little lambent elsewhere light to leak in.

From message 2991:
"Now let us have a look at the seven-pointed star of the Knight Templars in France. An old map of the Knight Templars shows the position of the seven main Commanderies which are arranged in the form of a star. Also here the rays of the star are in the same order as the planets. But there is a difference: they are arranged in a contrary order. Close to the centre of the star the name of Bourges, a town, stands out. Interestingly enough the famous alchemist Fulcanelli described Bourges as the ”Keystone of the Great Work of the Alchemists in Europe”, without however giving any further explanation. Only in 1998 this riddle was revealed, partly at least. Geomantist Peter Dawkins had found an extensive energy line, a so-called ley-line, that passes through France starting from Saintes Maries de-la-Mer (the most important place of pilgrimage of the Sinti and Roma), and running through Bourges and Chartres, and even through England. As many places of the legend of the Grail are located on this line, Dawkins called it the ”line of the Grail”. Exactly this line of the Grail passes through the centre of the seven-pointed star of the Knight Templars. In the North of France it divides the ray of the Sun precisely, and in the South it runs between the rays of Saturn and Moon into the Mediterranean. Mind you that this line of the Grail is not depicted in the old map of the Knight Templars. Could this coincidence be mere chance? Hardly: Sun, Moon and Saturn, the three planetary rays placed on the line of the Grail represent the trinity of body, spirit and soul. In the alchemy they stand for Sal, Sulphur and Mercurius. And if we look at the Vitriol seven-pointed star, the deliberate placement of the seven-pointed star is even more apparent."

All this points to how this dying planet must be resurrected/ healed, and freed from the tyranny of the yang corruptions of bankery, usury, and political, war-mongering hegemony.

best regards pilgrim,
a