1/2 spin Buddhas and vibing bowls

So another connection here is this. Gentle Tin is in the bronzes used in the ancient meditative god statues both east and west.
The day after the trip to the city museum, and with apparent great synchronicity,my curious friend Bob, who, in one of his forms, is a collector of Oriental stone and metal statuary, gives me an antique Tibetan buddha as a gift. It has a silver plated bronze base and robe. The shape is vaguely triangular pyramidal front to back rising from a copper plate base floor, though ovoid silver plated bronze lotus base walls through silver/ pale bronze body to dark bronze hair and crown chakra with a bronze point at the crown chackra .

The inside is hollow and heavily patined - clearly old bronze. So I've ordered temple monk chant cd's to work that amazing vibe, hopefully rattle up an old, purblind pineal crystal or two inside my resonating skull and sync in to this.... Finding correct resonant vibration is absolutely necessary and follows, i think, the Wallace analysis of the secondary accelerations for ag, he sees some of the process as a secondary "kinemassic" effect, approached analagouly to EM induction. From chants I've listened to , esp in the movie Kundun, monks always seem to start w/ the low shuman stuff from cd chants and amp higher off. Since I randomly found that Tibetan shop in Raleigh North Carolina, I've aquired four antique tibetan singing bowls.

The old bowls are said to be composed of a 3 to 12 metal alloy including mercury. Rotating and accelerating liquid mercury is the basis for the toroidal device in Wallace's second ag patent. I wil follow this with analysis of mercury,antimony, nickel and zinc.
http://www.frankperry.co.uk/Singing%20Bowls.htm


Some sources state that the bowls are made from the seven sacred metals, corresponding to the sacred seven planets: gold (Sun), silver (moon), mercury (Mercury), copper (Venus), iron (Mars), tin (Jupiter), antimony (Saturn), yet others that a selection (of anything from 3 to 9 - depending upon whom is being asked) from a total of nine metals was used (the seven listed above plus nickel and zinc) and yet another comprising twelve metals. Legend goes on to say that the iron was sometimes replaced by meteorite found on Himalayan mountaintops, metal from the heavens, or that meteorite was added also.

http://www.sacredsingingbowls.com/aboutbowls.cfm
Singing Bowls
Ritual Items
Himalayan Artifacts & Relics

The Tibetan singing bowl has been shrouded in myth and mystery throughout the ages and even during recent times. Even the name Tibetan singing bowl is a misnomer that has continued even to this day. Antique singing bowls were not only made in Tibet, but throughout the Himalayan region. According to renown singing bowl expert Dr. Mitch Nur, Ph.D, (www.sacredsound.org) most old singing bowls originated in Nepal and India, although antique bowls have been known to have been made from as far as Afghanistan to Burma. Another misnomer is that they were made from the sacred "seven metal alloy,". As far as can be known there has been no definitive proof that this was in truth the fact. The most plausible belief is that they were made of between 3 to 12 metal alloys, and that the metal alchemist used what ever metals were available in the particular region. Even more astonishing is the myth that singing bowls are Buddhist in origin. Many experts, including Dr. Nur, believe that singing bowls most likely originated in northeast and eastern Tibet, where fire cults existed among the Ch'iang tribes of Northeastern Tibet and the Naxi in eastern Tibet. These cultures had extensive knowledge and experience in metallurgy and the practice of shamanic rituals and techniques. It's most likely that singing bowls were used in shamanic rituals, for healing, shamanic journeying, storytelling, exorcism and maybe even the use of sound as an anti-gravity tool. These shamanic alchemists, were of the Bon animistic religion, which emphasized sacred sound in their spiritual practices. After Buddhism replaced the Bon as the main religion in Tibet in 12 century A.D., the singing bowl has been associated with Buddhism. The use of the singing bowl in Buddhist ritual practices has been held in upmost secrecy. It has been rumored that only the highest Lamas use and have knowledge about their specific uses in certain Buddhist rituals and practices. What we do know is that these marvelous instruments with their harmonious vibrations have the ability to take us out of ourselves, our ego, and bring peace and harmony to our body, mind and spirit. They have the ability to put us into alpha or theta brainwave states that allow us to access a quiet, peaceful state of mind, which oncologist Dr. Mitchell Gaynor believes has a powerful healing effect on our bodies, mind and spirit.



best regards,
ab

what we are after in the analogies is CU/human aura LC